Bouhours for a complete critick. He generally judges of the ancients by the moderns, and not the moderns by the ancients; he takes those passages of their own authors to be really sublime which come nearest to it; he often calls that a noble and a great thought which is only a pretty and fine one, and has more instances of the sublime out of Ovid de Tristibus, than he has out of all Virgil.
I shall allow, therefore, only those to be judges of Philips, who make the ancients, and particularly Virgil, their standard. But before I enter on this subject, I shall consider what is particular in the style of Philips, and examine what ought to be the style of heroick poetry; and next inquire how far he is come up to that style.
His style is particular, because he lays aside rhyme, and writes in blank verse, and uses old words, and frequently postpones the adjective to the substantive, and the substantive to the verb; and leaves out little particles, a, and the; her, and his; and uses frequent appositions. Now let us examine, whether these alterations of style be conformable to the true sublime.
