His criticism may be considered as general or occasional. In his general precepts, which depend upon the nature of things, and the structure of the human mind, he may doubtless be safely recommended to the confidence of the reader; but his occasional and particular positions were sometimes interested, sometimes negligent, and sometimes capricious. It is not without reason that Trapp, speaking of the praises which he bestows on Palamon and Arcite, says, "Novimus judicium Drydeni de poemate quodam Chauceri, pulchro sane illo, & admodum laudando, nimirum quod non modo vere epicum sit, sed Iliada etiam atque Æneada æquet, imo superet. Sed novimus eodem tempore viri illius maximi non semper accuratissimas esse censuras, nec ad severissimam critices normam exactas: illo judice id plerumque optimum est, quod nunc præ manibus habet, & in quo nunc occupatur."
He is therefore by no means constant to himself. His defence and desertion of dramatick rhyme is generally known. Spence, in his remarks on Pope's Odyssey, produces what he thinks an unconquerable quota-tion
