ny reams he has printed, to instill into the audience some conception of his plot.
In this play is the description of Night, which Rymer has made famous by preferring it to those of all other poets.
The practice of making tragedies in rhyme was introduced soon after the Restoration, as it seems by the Earl of Orrery, in compliance with the opinion of Charles the Second, who had formed his taste by the French theatre; and Dryden, who wrote, and made no difficulty of declaring that he wrote only to please, and who perhaps knew that by his dexterity of versification he was more likely to excel others in rhyme than without it, very readily adopted his master's preference. He therefore made rhyming tragedies, till, by the prevalence of manifest propriety, he seems to have grown ashamed of making them any longer.
To this play is prefixed a very vehement defence of dramatic rhyme, in confutation of the preface to the Duke of Lerma, in which Sir Robert Howard had censured it.
In 1667 he published Annus Mirabilis, the Year of Wonders, which may be esteemed one of his most elaborate works.
