The effect produced by the conjunction of these two powerful minds was, that to Shakspeare's monster Caliban is added a sister-monster Sycorax; and a woman, who, in the original play, had never seen a man, is in this brought acquainted with a man that had never seen a woman.
About this time, in 1673, Dryden seems to have had his quiet much disturbed by the success of the Empress of Morocco, a tragedy written in rhyme by Elkanah Settle; which was so much applauded, as to make him think his supremacy of reputation in some danger. Settle had not only been prosperous on the stage, but, in the confidence of success, had published his play, with sculptures and a preface of defiance. Here was one offence added to another; and for the last blast of inflammation, it was acted at Whitehall by the court-ladies.
Dryden could not now repress those emotions, which he called indignation, and others jealousy; but wrote upon the play and the dedication such criticism as malignant impatience could pour out in haste.
Of Settle he gives this character: "He's an animal of a most deplored understan-
