bricated by him. It invariably requires a break at the sixth syllable; a rule which the modern French poets never violate, but which Dryden sometimes neglected:
And with paternal thunder vindicates his throne.
Of Dryden's works it was said by Pope, that "he could select from them better "specimens of every mode of poetry than any other English writer could supply."
Perhaps no nation ever produced a writer that enriched his language with such variety of models. To him we owe the improvement, perhaps the completion of our metre, the refinement of our language, and much of the correctness of our sentiments. By him we were taught "sapere & fari," to think naturally and express forcibly. Though Davies has reasoned in rhyme before him, it may be perhaps maintained that he was the first who joined argument with poetry. He shewed us the true bounds of a translator's liberty. What was said of Rome, adorned by Augustus, may be applied by an easy metaphor to English poetry embellished by Dryden, "lateritiam invenit, marmoream reliquit." He found it brick, and he left it marble.
