believe, upon a true definition of tragedy, it will be found that its work extends farther, and that it is to reform manners, by a delightful representation of human life in great persons, by way of dialogue. If this be true, then not only pity and terror are to be moved, as the only means to bring us to virtue, but generally love to virtue, and hatred to vice; by shewing the rewards of one, and punishments of the other; at least, by rendering virtue always amiable, tho' it be shewn unfortunate; and vice detestable, though it be shewn triumphant.
If, then, the encouragement of virtue and discouragement of vice be the proper ends of poetry in tragedy, pity and terror, though good means, are not the only. For all the passions, in their turns, are to be set in a ferment; as joy, anger, love, fear, are to be used as the poet's common-places; and a general concernment for the principal actors is to be raised, by making them appear such in the characters, their words, and ac-
