particularly had reformed the Art of Rhetorick, by reducing that vast and confused heap of terms, with which a long succession of pedants had encumbered the world, to a very narrow compass, comprehending all that was useful and ornamental in poetry. Under each head and chapter, he intended to make remarks upon all the ancients and moderns, the Greek, Latin, English, French, Spanish, and Italian poets, and to note their several beauties and defects.
What remains of his works is left, as I am informed, in the hands of men of worth and judgement, who loved him. It cannot be supposed they would suppress any thing that was his, but out of respect to his memory, and for want of proper hands to finish what so great a genius had begun.
Such is the declamation of Oldisworth, written while his admiration was yet fresh, and his kindness warm; and therefore such as, without any criminal purpose of deceiving, shews a strong desire to make the most of all favourable truth. I cannot much commend the performance. The praise is often indistinct, and the sentences
