a personage truly tragical, of high spirit, and violent passions, great with tempestuous dignity, and wicked with a soul that would have been heroick if it had been virtuous. The motto seems to tell that this play was not successful.
Rowe does not always remember what his characters require. In Tamerlane there is some ridiculous mention of the God of Love; and Rodogune, a savage Saxon, talks of Venus, and the eagle that bears the thunder of Jupiter.
This play discovers its own date, by a prediction of the Union, in imitation of Cranmer's prophetick promises to Henry the Eighth. The anticipated blessings of union are not very naturally introduced, nor very happily expressed.
He once (1706) tried to change his hand. He ventured on a comedy, and produced the Biter; with which, though it was unfavourably treated by the audience, he was himself delighted; for he is said to have sat in the house laughing with great vehemence, whenever he had in his own opinion produced a jest. But finding that he and the publick had no sympathy of mirth, he tried at lighter scenes no more.
