it is affected and artificial. Of all the tragedies which in his memory have had vast and violent runs, not one has been excellent, few have been tolerable, most have been scandalous. When a poet writes a tragedy, who knows he has judgement, and who feels he has genius, that, poet presumes upon his own merit, and scorns to make a cabal. That people come coolly to the representation of such a tragedy, without any violent expectation, or delusive imagination, or invincible prepossession; that such an audience is liable to receive the impressions which the poem shall naturally make on them, and to judge by their own reason, and their own judgements, and that reason and judgement are calm and serene, not formed by nature to make proselytes, and to controul and lord it over the imaginations of others. But that when an author writes a tragedy, who knows he has neither genius or judgement, he has recourse to the making a party, and he endeavours to make up in industry what is wanting in talent, and to supply by poetical craft the absence of poetical art: that such an author is humbly con-
tented
