both parts is but half a writer for the stage."
The Duke of Guise, a tragedy (1683), written in conjunction with Lee, as Oedipus had been before, seems to deserve notice only for the offence which it gave to the remnant of the Covenanters, and in general to the enemies of the court, who attacked him with great violence, and were answered by him; though at last he seems to withdraw from the conflict, by transferring the greater part of the blame or merit to his partner. It happened that a contract had been made between them, by which they were to join in writing a play; and "he happened," says Dryden, "to claim the promise just upon the finishing of a poem, when I would have been glad of a little respite.—Two-thirds of it belonged to him; and to me only the first scene of the play, the whole fourth act, and the first half or somewhat more of the fifth."
This was a play written professedly for the party of the duke of York, whose succession was then opposed. A parallel is intended between the Leaguers of France, and the Covenanters of England: and this intention produced the controversy.
