intended. The imitations are so ambitiously frequent, that the writer evidently means rather to shew his literature than his wit. It is surely sufficient for an author of sixteen, not only to be able to copy the poems of antiquity with judicious selection, but to have obtained sufficient power of language, and skill in metre, to exhibit a series of versification, which had in English poetry no precedent, nor has since had an imitation,
The design of "Windsor Forest" is evidently derived from "Cooper's Hill," with some attention to Waller's poem on "The Park;" but Pope cannot be denied to excel his masters in variety and elegance, and the art of interchanging description, narrative, and morality. The objection made by Dennis is the want of plan, of a regular subordination of parts terminating in the principal and original design. There is this want in most descriptive poems, because, as the scenes, which they must exhibit successively, are all subsisting at the same time, the order in which they are shewn must by necessity be arbitrary, and more is not to be expected from the last part than from the first. The attention, therefore,
