prehension of excellence, as its scene is laid in remote ages, and its sentiments, if the concluding paragraph be excepted, have little relation to general manners or common life, it never obtained much notice, but is turned silently over, and seldom quoted or mentioned with either praise or blame.
That the "Messiah" excels the "Pollio" is no great praise, if it be considered from what original the improvements are derived.
The "Verses on the unfortunate Lady" have drawn much attention by the illaudable singularity of treating suicide with respect; and they must be allowed to be written in some parts with vigorous animation, and in others with gentle tenderness; nor has Pope produced any poem in which the sense predominates more over the diction. But the tale is not skilfully told; it is not easy to discover the character of either the Lady or her Guardian. History relates that she was about to disparage herself by a marriage with an inferiour; Pope praises her for the dignity of ambition, and yet condemns the uncle to detestation for his pride; the ambitious love of a niece may be opposed by the interest, malice, or envy of an
