upon the ear, and Dryden finds the passes of the mind.
Both the odes want the essential constituent of metrical compositions, the stated recurrence of settled numbers. It may be alleged, that Pindar is said by Horace to have written numeris lege solutis: but as no such lax performances have been transmitted to us, the meaning of that expression cannot be fixed; and perhaps the like return might properly be made to a modern Pindarist, as Mr. Cobb received from Bentley, who, when he found his criticisms upon a Greek Exercise, which Cobb had presented, refuted one after another by Pindar's authority, cried out at last, "Pindar was a bold fellow, but thou art an impudent one."
If Pope's ode be particularly inspected, it will be found that the first stanza consists of sounds well chosen indeed, but only sounds.
The second consists of hyperbolical common-places, easily to be found, and perhaps without much difficulty to be as well expressed.
In the third, however, there are numbers, images, harmony, and vigour, not unworthy the antagonist of Dryden. Had all
