works of imagination, which are often influenced by causes wholly out of the performer's power, by hints of which he perceives not the origin, by sudden elevations of mind which he cannot produce in himself, and which sometimes rise when he expects them least.
The two parts of the first line are only echoes of each other; gentle manners and mild affections, if they mean any thing, must mean the same.
That Gay was a man in wit is a very frigid commendation; to have the wit of a man is not much for a poet. The wit of man, and the simplicity of a child, make a poor and vulgar contrast, and raise no ideas of excellence, either intellectual or moral.
In the next couplet rage is less properly introduced after the mention of mildness and gentleness, which are made the constituents. of his character; for a man so mild and gentle to temper his rage, was not difficult.
The next line is inharmonious in its sound, and mean in its conception; the opposition is obvious, and the word lash used absolutely, and without any modification, is gross and improper.
