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THOMSON.

He so interested himself in his own drama, that, if I remember right, as he sat in the upper gallery, he accompanied the players by audible recitation, till a friendly hint frighted him to silence. Pope countenanced "Agamemnon," by coming to it the first night, and was welcomed to the theatre by a general clap; he had much regard for Thomson, and once expressed it in a poetical Epistle sent to Italy, of which however he abated the value, by transplanting some of the lines into his Epistle to "Arbuthnot."

About this time the Act was passed for licensing plays, of which the first operation was the prohibition of "Gustavus Vasa," a tragedy of Mr. Brooke, whom the publick recompensed by a very liberal subscription; the next was the refusal of "Edward and Eleonora," offered by Thomson. It is hard to discover why either play should have been obstructed. Thomson likewise endeavoured to repair his loss by a subscription, of which I cannot now tell the success.

When the publick murmured at the unkind treatment of Thomson, one of the ministerial writers remarked, that "he had

"taken