weighty meaning. From these, however, "Rural Elegance" has some right to be excepted. I once heard it praised by a very learned lady; and though the lines are irregular, and the thoughts diffused with too much verbosity, yet it cannot be denied to contain both philosophical argument and poetical spirit.
Of the rest I cannot think any excellent; the "Skylark" pleases me best, which has however more of the epigram than of the ode.
But the four parts of his "Pastoral Ballad" demand particular notice. I cannot but regret that it is pastoral; an intelligent reader, acquainted with the scenes of real life, sickens at the mention of the crook, the pipe, the sheep, and the kids, which it is not necessary to bring forward to notice, for the poet's art is selection, and he ought to shew the beauties without the grossness of the country life. His stanza seems to have been chosen in imitation of Rowe's "Despairing Shepherd."
In the first part are two passages, to which if any mind denies its sympathy, it has no acquaintance with love or nature:
