little regarded, removed himself to Pembroke Hall.
In 1757 he published "The Progress of Poetry" and "The Bard," two compositions at which the readers of poetry were at first content to gaze in mute amazement. Some that tried them confessed their inability to understand them, though Warburton said that they were understood as well as the works of Milton and Shakspeare, which it is the fashion to admire. Garrick wrote a few lines in their praise. Some hardy champions undertook to rescue them from neglect, and in a short time many were content to be shewn beauties which they could not see.
Gray's reputation was now so high, that, after the death of Cibber, he had the honour of refusing the laurel, which was then be flowed on Mr. Whitehead.
His curiosity, not long after, drew him away from Cambridge to a lodging near the Museum, where he resided near three years, reading and transcribing; and, so far as can be discovered, very little affected by two odes on "Oblivion" and "Obscurity," in which his lyrick performances were ridiculed with much contempt and much ingenuity.
When
