priest, who, by a method very rarely practised, taught him the Greek and Latin rudiments together. He was now first regularly initiated in poetry by the persual of "Ogilby's Homer," and "Sandys's Ovid." Ogilby's assistance he never repaid with any praise; but of Sandys he declared, in his notes to the "Iliad," that English poetry owed much of its beauty to his translations. Sandys very rarely attempted original composition.
From the care of Taverner, under whom his proficiency was considerable, he was removed to a school at Twyford near Winchester, and again to another school about Hyde-park Corner; from which he used sometimes to stroll to the playhouse, and was so delighted with theatrical exhibitions, that he formed a kind of play from "Ogilby's Iliad," with some verses of his own intermixed, which he persuaded his school-fellows to act, with the addition of his master's gardener, who personated Ajax.
At the two last schools he used to represent himself as having lost part of what Taverner had taught him; and on his master at Twyford he had already exercised his poetry in a lampoon. Yet under those masters he
