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CHAP. XI
ELEVENTH CENTURY: ITALY
279

does not follow, if God wills to lie that it is just to lie; but rather that He is not God. For only that will can will to lie in which truth is corrupted, or rather which is corrupted by forsaking truth. Therefore when one says 'if God wills to lie,' he says in substance, 'if God is of such a nature as to will to lie.'"[1]

Anselm's other famous work was the Cur Deus homo, upon the problem why God became man to redeem mankind. It was connected with his view of sin, and the fall of the angels, as set forth chiefly in his dialogue De casu Diaboli. One may note certain cardinal points in his exposition: Man could be redeemed only by God; for he would have been the bond-servant of whoever redeemed him, and to have been the servant of any one except God would not have restored him to the dignity which would have been his had he not sinned.[2] Or again: The devil had no rights over man, which he lost by unjustly slaying God. For man was not the devil's, nor does the devil belong to himself but to God.[3] Evidently Anselm frees himself from the conception of any ransom paid to the devil, or any trickery put on him—thoughts which had lowered current views of the Atonement. Anselm's arguments (which are too large, and too interwoven with his views upon connected subjects, to be done justice to by any casual statement) are free from degrading foolishness. His reasonings were deeply felt, as one may see in his Meditationes, where thought and feeling mutually support and enhance each other. So he recalls Augustine, the great model and predecessor whom he followed and revered. And still the feeling in Anselm's Meditationes, as in the Proslogion, is somewhat sublimated and lifted above human heart-throbs. Perhaps it may seem rhetorical, and intentionally stimulated in order to edify. Even in the Meditationes upon the humanity and passion of Jesus, Anselm is not very close to the quivering tenderness of St Bernard, and very far from the impulsive and passionate love of Francis of Assisi. One thinks that his feelings rarely distorted his countenance or wet it with tears.[4]

  1. Cur Deus homo, i. 12.
  2. Ibid, i. 5.
  3. Ibid. i. 7.
  4. Examples of Anselm's prose are given post, Chapter XXXI.