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THE MEDIAEVAL MIND
BOOK III

judge from her work, she belonged to a good family and was acquainted with the courtly literature of the time. She speaks of her loving parents, from whom she tore herself away at the age of twenty-three, and entered the town of Magdeburg, there to begin a life of rapt religious mendicancy, for which Francis had set the resistless example. Sustained by love for her Lord, she led a despised and homeless life of hardship and austerity for thirty years. At length bodily infirmities brought her to rest in a Cistercian cloister for nuns at Helfta, near Eisleben, where ruled a wise and holy abbess, the noble Gertrude of Hackeborn. Here Mechthild remained until her death in 1277. For many years it had been her custom to write down her experiences of the divine love in a book which she called The Flowing Light of God, in which she also wrote the prophetic denunciations, revealed to her to be pronounced before men, especially in the presence of those who were great in what should be God's holy Church.[1]

"Frau Minne (Lady Love) you have taken from me the world's riches and honour," cries Mechthild.[2] Love's ecstasy came upon her when she abandoned the world and cast herself upon God alone. Then first her soul's eyes beheld the beautiful manhood of her Lord Jesus Christ, also the Holy Trinity, her own guardian angel, and the devil who tempted her through the vainglory of her visions and through unchaste desire. She defended herself with the agony of our Lord. For Mechthild, hell is the "city whose name is eternal hate." With her all blessedness is love, as her book will now disclose.

Cries the Soul to Love (Minne) her guardian: "Thou hast hunted and taken, bound and wounded me; never shall I be healed."

Love answers: "It was my pleasure to hunt thee; to take thee captive was my desire; to bind thee was my joy. I drove Almighty God from His throne in heaven, and took His human life from Him, and then with honour gave Him

  1. We pass over these portions of Mechthild's book which exemplify the close connection between ecstatic contemplation and the denunciation of evil in the world.
  2. Mechthild constantly uses phrases from the courtly love poetry of her time.