"beauty" is a vain word, but romance has lived too long upon this river not to have thrown a mantle of glamour upon its banks.
The antiquity of the port appeals to the imagination by the long chain of adventurous enterprises that had their inception in the town and floated out into the world on the waters of the river. Even the newest of the docks, the Tilbury Dock, shares in the glamour conferred by historical associations. Queen Elizabeth has made one of her progresses down there, not one of her journeys of pomp and ceremony, but an anxious business progress at a crisis of national history. The menace of that time has passed away, and now Tilbury is known by its docks. These are very modern, but their remoteness and isolation upon the Essex marsh, the days of failure attending their creation, invested them with a romantic air. Nothing in those days could have been more striking than the vast, empty basins, surrounded by miles of bare quays and the ranges of cargo-sheds, where two or three ships seemed lost like bewitched children in a forest of gaunt, hydraulic cranes. One received a wonderful impression of utter abandonment, of wasted efficiency. From the first the Tilbury Docks were very efficient and ready for their task, but they had come, perhaps, too soon into the field. A great future lies before Tilbury Docks. They shall never fill a long-felt want (in the sacramental phrase that is applied to railways, tunnels, newspapers, and new editions of books). They were too early in the field. The want shall never be felt because, free of the trammels of the tide, easy of access, magnificent and desolate, they are already there, prepared to take and keep the biggest ships that float upon the sea. They are worthy of the oldest river port in the world.
And, truth to say, for all the criticisms flung upon
