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THE MIRROR OF THE SEA

tavern on the quays of the old port. The antique city of Massilia had surely never, since the days of the earliest Phoenicians, known an odder set of ship-owners. We met to discuss and settle the plan of operations for each voyage of the Tremolino. In these operations a banking-house, too, was concerned—a very respectable banking-house. But I am afraid I shall end by saying too much. Ladies, too, were concerned (I am really afraid I am saying too much)—all sorts of ladies, some old enough to know better than to put their trust in princes, others young and full of illusions.

One of these last was extremely amusing in the imitations, she gave us in confidence, of various highly-placed personages she was perpetually rushing off to Paris to interview in the interests of the cause—Por el Rey! For she was a Carlist, and of Basque blood at that, with something of a lioness in the expression of her courageous face (especially when she let her hair down), and with the volatile little soul of a sparrow dressed in fine Parisian feathers, which had the trick of coming off disconcertingly at unexpected moments.

But her imitations of a Parisian personage, very highly placed indeed, as she represented him standing in the corner of a room with his face to the wall, rubbing the back of his head and moaning helplessly, "Rita, you are the death of me!" were enough to make one (if young and free from cares) split one's sides laughing. She had an uncle still living, a very effective Carlist, too, the priest of a little mountain parish in Guipuzcoa. As the sea-going member of the syndicate (whose plans depended greatly on Doña Rita's information), I used to be charged with humbly affectionate messages for the old man. These messages I was supposed to deliver to the Arragonese muleteers (who were sure to await at certain times the Tremolino in the neighbour-