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THE MIRROR OF THE SEA

scene may be like in the life of a ship and her crew, which resembles a drama in its struggle against a great force bearing it up, formless, ungraspable, chaotic and mysterious, as fate.

It was on a gray afternoon in the lull of a three days' gale that had left the Southern Ocean tumbling heavily upon our ship, under a sky hung with rags of clouds that seemed to have been cut and hacked by the keen edge of a sou'-west gale.

Our craft, a Clyde-built barque of 1,000 tons, rolled so heavily that something aloft had carried away. No matter what the damage was, but it was serious enough to induce me to go aloft myself with a couple of hands and the carpenter to see the temporary repairs properly done.

Sometimes we had to drop everything and cling with both hands to the swaying spars, holding our breath in fear of a terribly heavy roll. And, wallowing as if she meant to turn over with us, the barque, her decks full of water, her gear flying in bights, ran at some ten knots an hour. We had been driven far south—much farther that way than we had meant to go; and suddenly, up there in the slings of the foreyard, in the midst of our work, I felt my shoulder gripped with such force in the carpenter's powerful paw that I positively yelled with unexpected pain. The man's eyes stared close in my face, and he shouted, "Look, sir! look! What's this?" pointing ahead with his other hand.

At first I saw nothing. The sea was one empty wilderness of black and white hills. Suddenly, half-concealed in the tumult of the foaming rollers I made out awash, something enormous, rising and falling—something spread out like a burst of foam, but with a more bluish, more solid look.

It was a piece of an ice-floe melted down to a fragment, but still big enough to sink a ship, and floating