THE MANXMAN
By HALL CAINE
In One Volume, price 6s.
The Times.—'With the exception of The Scapegoat, this is unquestionably the finest and most dramatic of Mr. Hall Caine's novels. . . . The Manxman goes very straight to the roots of human passion and emotion. It is a remarkable book, throbbing with human interest.'
The Queen.—'The Manxman is undoubtedly one of the most remarkable books of the century. It will be read and re-read, and take its place in the literary inheritance of the English-speaking nations.'
The St. James's Gazette.—'The Manxman is a contribution to literature, and the most fastidious critic would give in exchange for it a wilderness of that deciduous trash which our publishers call fiction. . . . It is not possible to part from The Manxman with anything but a warm tribute of approval.'—Edmund Gosse.
THE BONDMAN
By HALL CAINE
With a Photogravure Portrait of the Author.
In One Volume, price 6s.
Mr. Gladstone.—'The Bondman is a work of which I recognise the freshness, vigour, and sustained interest, no less than its integrity of aim.'
The Times.—'It is impossible to deny originality and rude power to this saga, impossible not to admire its forceful directness, and the colossal grandeur of its leading characters.'
The Academy.—'The language of The Bondman is full of nervous, graphic, and poetical English; its interest never flags, and its situations and descriptions are magnificent. It is a splendid novel.'
The Speaker.—'This is the best book that Mr. Hall Caine has yet written, and it reaches a level to which fiction very rarely attains. . . . We are, in fact, so loth to let such good work be degraded by the title of "novel" that we are almost tempted to consider its claim to rank as a prose epic.'
THE SCAPEGOAT
By HALL CAINE
In One Volume, price 6s.
The Times.—'In our judgment it excels in dramatic force all the Author's previous efforts. For grace and touching pathos Naomi is a character which any romancist in the world might be proud to have created, and the tale of her parents' despair and hopes, and of her own development, confers upon The Scapegoat a distinction which is matchless of its kind.'
The Guardian.—'Mr. Hall Caine is undoubtedly master of a style which is peculiarly his own. He is in a way a Rembrandt among novelists.'
The Athenæum.—'It is a delightful story to read.'
The Academy.—'Israel ben Oliel is the third of a series of the most profoundly conceived characters in modern fiction.'
London: WILLIAM HEINEMANN, 21 Bedford Street, W.C.
