remember how much earthenware was used in daily life by the Romans—for their floors, and drinking-cups, and oil and wine flasks, and unguent vessels, and cinerary urns, and boxes for
money. The beauty, however, of the forms, even if it does not approach that of the Upchurch and Castor pottery, should be noticed. The flowing lines, the scroll-work patterns, the narrow necks of the wine-flasks and unguent vessels, all show how well
the true artist understands that it is the real perfection of Art to make beauty ever the handmaid of use.
Another thing, too, is worthy of notice, that the artist was evidently unfettered by any given pattern or rule. Whatever device or form was at the moment uppermost in his mind, that he carried out, his hand following the bent of his fancy. Hence the endless variety of patterns and forms. No two vessels are exactly alike. In modern manufactures, however, the smooth
