become possible for certain emotions to be habitually called to the surface by sympathy. Evidently a vein of drollery in his nature had been better appreciated, and oftener exhibited to admiring audiences, than any of the finer qualities of thought or sentiment of which you instinctively knew him to be capable; and yet the face protested against it, too, by a gentle irony with a hint of self-scorn in it, as if its owner, in his own estimation, wrote himself a buffoon for his condescension. Altogether it was a good face; but one to make you wish it were better, since by not being so, it was untrue to itself. I remember thinking all this, looking out with sluggish interest from my berth, while the two gentlemen did a little preliminary talking.
Mr. Ela's voice, I observed, like his face, was susceptible of great change and infinite modulations. Deep chest tones were followed by finely attenuated sounds; droning nasal tones, by quick and clear ones. The quality of the voice was soft and musical; the enunciation slow, often emphatic. His manner was illustrative, egotistic, and keenly watchful of effects.
"You never heard the story of my adventure in the mountains?" Ela began, turning to me with the air of a man who had made up his mind to tell his story.
"No; please tell it."
"Well"—running his tapering fingers through his hair and pulling it over his forehead—"I started out in life with a theory, and it was this: that no young man should ask a woman to marry him until he had prepared a home for her. Correct, wasn't it? I was about nineteen years old when I took up some land down in the Rogue River Valley, and worked away at it with this object."
"Had you really a wife selected at that age?"
"No; but it was the fashion in early times in that country to marry early, and I was getting ready, according to my theory; don't you see? I was pretty successful, too; had considerable stock, built me a house, made a flower
