XXVI
The deceased Odintsov had not liked innovations, but he had tolerated 'the fine arts within a certain sphere,' and had in consequence put up in his garden, between the hothouse and the lake, an erection after the fashion of a Greek temple, made of Russian brick. Along the dark wall at the back of this temple or gallery were placed six niches for statues, which Odintsov had proceeded to order from abroad. These statues were to represent Solitude, Silence, Meditation, Melancholy, Modesty, and Sensibility. One of them, the goddess of Silence, with her finger on her lip, had been sent and put up; but on the very same day some boys on the farm had broken her nose; and though a plasterer of the neighbourhood undertook to make her a new nose 'twice as good as the old one,' Odintsov ordered her to be taken away, and she was still to be seen in the corner of the threshing barn, where she had stood many long years, a source of superstitious terror t
