twelve, frizzed and pomaded, but with tear-stains on his cheeks, thrummed some variations on a fiddle. What seemed strange was that in the intervals of the reading and music, from the performers' room, sounds were heard from time to time of a French horn; and yet this instrument never was brought into requisition. In the sequel it appeared that the amateur, who had been invited to perform on it, had lost courage at the moment of facing the public. At last Clara Militch made her appearance again.
She held a volume of Pushkin in her hand; she did not, however, glance at it once during her recitation. . . . She was obviously nervous, the little book shook slightly in her fingers. Aratov observed also the expression of weariness which now overspread all her stern features. The first line, 'I write to you . . . what more?' she uttered exceedingly simply, almost naively, and with a naive, genuine, helpless gesture held both hands out before her. Then she began to hurry a little; but from the beginning of the lines: 'Another! no! To no one in the whole world I have given my heart!' she mastered her powers, gained fire; and when she came to the words, 'My whole life has but been a pledge of a meeting true with thee,' her hitherto thick voice rang out boldly and enthusiastically,
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