twigs, decked their hats with fern, and even danced. Tartaglia, as far as he could, shared in all these pastimes; he did not throw stones, it is true, but he rolled head over heels after them; he howled when they were singing, and even drank beer, though with evident aversion; he had been trained in this art by a student to whom he had once belonged. But he was not prompt in obeying Emil—not as he was with his master Pantaleone—and when Emil ordered him to 'speak,' or to 'sneeze,' he only wagged his tail and thrust out his tongue like a pipe.
The young people talked, too. At the beginning of the walk, Sanin, as the elder, and so more reflective, turned the conversation on fate and predestination, and the nature and meaning of man's destiny; but the conversation quickly took a less serious turn. Emil began to question his friend and patron about Russia, how duels were fought there, and whether the women there were beautiful, and whether one could learn Russian quickly, and what he had felt when the officer took aim at him. Sanin, on his side, questioned Emil about his father, his mother, and in general about their family affairs, trying every time not to mention Gemma's name—and thinking only of her. To speak more precisely, it was not of her he was thinking, but of the morrow, the mysterious
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