or said, about every action of hers, there clung a delicate, fine charm, in which an individual power was manifest at work. And her face was ever changing, working too; it expressed, almost at the same time, irony, dreaminess, and passion. Various emotions, delicate and quick-changing as the shadows of clouds on a sunny day of wind, chased one another continually over her lips and eyes.
Each of her adorers was necessary to her. Byelovzorov, whom she sometimes called 'my wild beast,' and sometimes simply 'mine,' would gladly have flung himself into the fire for her sake. With little confidence in his intellectual abilities and other qualities, he was for ever offering her marriage, hinting that the others were merely hanging about with no serious intention. Meidanov responded to the poetic fibres of her nature; a man of rather cold temperament, like almost all writers, he forced himself to convince her, and perhaps himself, that he adored her, sang her praises in endless verses, and read them to her with a peculiar enthusiasm, at once affected and sincere. She sympathised with him, and at the same time jeered at him a little; she had no great faith in him, and after listening to his outpourings, she would make him read Pushkin, as she said, to clear the air. Lushin, the ironical doctor,
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