the slender stem of a birch-tree and peeped out uneasily from behind it, first to the right, then to the left, like a musician behind the bass-viol.
Then I sang 'Not the white snows,' and passed from that to a song well known at that period: 'I await thee, when the wanton zephyr,' then I began reading aloud Yermak's address to the stars from Homyakov's tragedy. I made an attempt to compose something myself in a sentimental vein, and invented the line which was to conclude each verse: 'O Zinaïda, Zinaïda!' but could get no further with it. Meanwhile it was getting on towards dinner-time. I went down into the valley; a narrow sandy path winding through it led to the town. I walked along this path.. . . The dull thud of horses' hoofs resounded behind me. I looked round instinctively, stood still and took off my cap. I saw my father and Zinaïda. They were riding side by side. My father was saying something to her, bending right over to her, his hand propped on the horses' neck, he was smiling. Zinaïda listened to him in silence, her eyes severely cast down, and her lips tightly pressed together. At first I saw them only; but a few instants later, Byelovzorov came into sight round a bend in the glade, he was wearing a hussar's uniform with a pelisse, and riding a foaming black horse. The gallant horse tossed
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