Punin laughed. 'Because she's such a chilly little thing.'
'Sensible,' put in Baburin: 'as befits a young girl.'
'We may call her the mistress of the house,' cried Punin. 'Hey? Paramon Semyonitch?' Baburin frowned; Musa turned away. . . . I did not understand the hint at the time.
So passed two hours . . . in no very lively fashion, though Punin did his best to 'entertain the honourable company.' For instance, he squatted down in front of the cage of one of the canaries, opened the door, and commanded: 'On the cupola! Begin the concert!' The canary fluttered out at once, perched on the cupola, that is to say, on Punin's bald pate, and turning from side to side, and shaking its little wings, carolled with all its might. During the whole time the concert lasted, Punin kept perfectly still, only conducting with his finger, and half closing his eyes. I could not help roaring with laughter . . . but neither Baburin nor Musa laughed.
Just as I was leaving, Baburin surprised me by an unexpected question. He wished to ask me, as a man studying at the university, what sort of person Zeno was, and what were my ideas about him.
'What Zeno?' I asked, somewhat puzzled.
'Zeno, the sage of antiquity. Surely he cannot be unknown to you?
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