Page:The Novels of Ivan Turgenev (volume XV).djvu/17

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INTRODUCTION

of prose. Turgenev's horizon always broadens before our eyes: where Fielding and Richardson speak for the country and the town, Turgenev speaks for the nation. While Balzac makes defile before us an endless stream of human figures, Turgenev's characters reveal themselves as wider apart in the range of their spirit, as more mysteriously alive in their inevitable essence, than do Meredith's or Flaubert's, than do Thackeray's or Maupassant's. Where Tolstoi uses an immense canvas in War and Peace, wherein Europe may see the march of a whole generation, Turgenev in Fathers and Children concentrates in the few words of a single character, Bazarov, the essence of modern science's attitude to life, that scientific spirit which has transformed both European life and thought. It is, however, superfluous to draw further parallels between Turgenev and his great rivals. In England alone, perhaps, is it necessary to say to the young novelist that the novel can become anything, can be anything, according to the hands that use it. In its application to life, its future development can by no means be gauged. It is the most complex of all literary instruments, the

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