"And it isn't good?" she cried with the highest concern.
Ruefully, yet not abjectly, he confessed, "Not so good as I hoped. For I assure you, my lord, I counted———"
"It's the report from Pappendick about the picture at Verona," Lady Grace interruptingly explained.
Hugh took it up, but, as we should well have seen, under embarrassment dismally deeper; the ugly particular defeat he had to announce showing thus, in his thought, for a more awkward force than any reviving possibilities that he might have begun to balance against them. "The man I told you about also," he said to his formidable patron; "whom I went to Brussels to talk with and who, most kindly, has gone for us to Verona. He has been able to get straight at their Mantovano, but the brute horribly wires me that he doesn't quite see the thing; see, I mean"—and he gathered his two hearers together now in his overflow of chagrin, conscious, with his break of the ice, more exclusively of that—"my vivid vital point, the absolute screaming identity of the two persons represented. I still hold," he
