ment into Magnesia to the irritation caused him by the merciless satire of Aristophanes on the poet's unhappy experiences of married life, and it is unfortunately only too likely that one who could make capital out of the death of the man he disliked, would not hesitate to pour out his venomous abuse on domestic scenes which modern decency prefers to regard as sacred.
Born, as Euripides was, some time between B.C. 490 and 480, and dying in B.C. 406, his life comprised the whole brilliant period of Athenian supremacy. Thus he would have witnessed the successive steps by which Athens attained in a short time a pinnacle of material prosperity and artistic glory never reached before or after by any other state in Hellas; he would have admired the masterly organization of the Delian Confederacy, have shared in the varied splendours and triumphs of the age of Pericles, rejoiced at the victories of Cimon, watched the successful schemes of Athenian colonization, and followed with attentive eye the many phases of that long and disastrous war, which brought such suffering on his countrymen, and finally left his city ruined and humbled at the feet of Sparta. Amongst the circle of his acquaintance he might have counted poets, painters, sculptors, historians, and philosophers, whose productions are still the wonder of the world and the despair of modern imitators.
Indeed, to know any one character of that great period thoroughly it is necessary to know something of them all, and only in this way can one hope to find the right starting-point for a proper appreciation of this many-sided poet, and to see how far he influenced and how far he was influenced by his environment.
Euripides produced his first play, the "Peliades," in B.C. 455, a year after the death of Æschylus; it obtained the third prize, but considering the poet's age and the rivals he probably had to meet, this is no evidence
