consider and admire him! Whether we view him on the side of art or nature, he ought equally to engage our attention: whether we respect the force and greatness of his genius, the extent of his knowledge and reading, the power and address with which he throws out and applies either nature or learning, there is ample scope both for our wonder and pleasure. If his diction, and the cloathing of his thoughts attract us, how much more must we be charmed with the richness and variety of his images and ideas! If his images and ideas steal into our souls, and strike upon our fancy, how much are they improved in price, when we come to respect with what propriety and justness they are applied to character! If we look into his characters, and how they are furnished and proportioned to the employment he cuts out for them, how are we taken up with the mastery of his portraits! What draughts of nature! What variety of originals, and how differing each from the other! How are they dressed from the stores of his own luxurious imagination; without being the apes of mode, or borrowing from any foreign wardrobe! Each of them are the standards of fashion for themselves: like gentlemen that are above the direction of their taylors, and can adorn themselves without the aid of imitation. If other poets draw more than one fool or coxcomb, there is the same resemblance in them, as in that painter’s draughts, who was happy only at forming a rose: you find them all younger brothers of the same family, and all of them have a pretence to give the same crest: but Shakespeare’s clowns and sops come all of a different house: they are no farther allied to one another than as man to man, members of the same species; but as different in features and lineaments of character, as we are from one another in face or complexion. But I am unawares lanching into his character as a writer, before I have said what I intended of him as a private member of the republick.
Mr. Rowe has very justly observed, that people are fond of discovering any little personal story of the great men of antiquity; and that the common accidents of their lives naturally become the subject of our critical enquiries: that however trifling such a curiosity at the first view may appear, yet, as for what relates to men of letters, the knowledge of an author may, perhaps, sometimes conduce to the better understanding his works; and, indeed, this author’s works, from the bad treatment he has met with from copyists and editors, have so long wanted a comment, that
