tive beauties that lay under it. So that, as then he was thought not to deserve a cure, he was now supposed not to need any.
His growing eminence, however, required that he should be used with ceremony; and he soon had his appointment of an editor in form. But the bookseller, whose dealing was with wits, having learnt of them, I know not what silly maxim, that none but a poet should presume to meddle with a poet, engaged the ingenious Mr. Rowe to undertake this employment. A wit indeed he was; but so utterly unacquainted with the whole business of criticism, that he did not even collate or consult the first editions of the work he undertook to publish; but contented himself with giving us a meagre account of the author’s life, interlarded with some commonplace scraps from his writings. The truth is, Shakespeare’s condition was yet but ill understood. The nonsense, now, by consent, received for his own, was held in a kind of reverence for its age and author; and thus it continued, till another great poet broke the charm, by shewing us, that the higher we went, the less of it was still to be found.
For the proprietors, not discouraged by their first unsuccessful effort, in due time, made a second; and, though they still stuck to their poets, with infinitely more success in their choice of Mr. Pope, who, by the mere force of an uncommon genius, without any particular study or profession of this art, discharged the great parts of it so well, as to make his edition the best foundation for all further improvements. He separated the genuine from the spurious plays; and, with equal judgment, though not always with the same success, attempted to clear the genuine plays from the interpolated scenes: he then consulted the old editions; and, by a careful collation of them, rectified the faulty, and supplied the imperfect reading in a great number of places: and lastly, in an admirable preface, hath drawn a general, but very lively sketch of Shakespeare’s poetick character: and, in the corrected text, marked out those peculiar strokes of genius which were most proper to support and illustrate that character. Thus far Mr. Pope. And although much more was to be done before Shakespeare could be restored to himself (such as amending the corrupted text where the printed books afford no assistance; explaining his licentious phraseology and obscure allusions; and illustrating the beauties of his poetry) yet, with great modesty and prudence, our illustrious editor left this to the critick by profession.
