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The DESIGN.
THERE are certain powers in human nature which seem to hold a middle place between the organs of bodily sense and the faculties of moral perception: They have been call'd by a very general name, The Powers of Imagination. Like the external senses, they relate to matter and motion; and at the same time, give the mind ideas analogous to those of moral approbation and dislike. As they are the inlets of some of the most exquisite pleasures we are acquainted with, men of warm and sensible tempers have sought means to recall the delightful perceptions they afford, independent of the objects which originally produc'd them. This gave rise to the imitative or designing arts; some of which, like painting and sculpture, directly copy the external appearances which were admir'd in nature; others, like music and poetry, bring them back to remembrance by signs universally establish'd and understood.
But these arts, as they grew more correct and deliberate, were naturally led to extend their imitation beyond the peculiar objects of the imaginative powers; especially poetry, which, making use of language as the instrument by which it i-
