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THE POETRY OF ARCHITECTURE.
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humility in the villa, the dwelling of wealth and power, and yet we must not, any more, suggest the idea of its resisting natural influences under which the Pyramids could not abide. The only way of solving the difficulty is, to select such sites as shall seem to have been set aside by nature as places of rest, as points of calm and enduring beauty, ordained to sit and smile in their glory of quietness, while the avalanche brands the mountain top, and the torrent desolates the valley; yet so preserved, not


    For these three reasons, then, the plains of Italy possess far more elevation of character than her hill scenery. To the northward, this contrast is felt very strikingly, as the distinction is well marked, the Alps rising sharply and suddenly. To the southward, the plain is more mingled with low projecting promontories, and unites almost every kind of beauty. However, even among her northern lakes, the richness of the low climate, and the magnificence of form and colour presented by the distant Alps, raise the character of the scene immeasurably above that of most hill landscapes, even were those natural features entirely unassisted by associations which, though more sparingly scattered than in the south, are sufficient to give light to every leaf, and voice to every wave.

    The Avalanche brands the Mountain Top.—There are two kinds of winter avalanches; the one, sheets of frozen snow, sliding on the surface of others. The swiftness of these, as the clavendier of the Convent of St. Bernard told me, he could compare to nothing but that of a cannon ball of equal size. The other is a rolling mass of snow, accumulating in its descent. This, grazing the bare hill side, tears up its surface like dust, bringing away soil, rock, and vegetation, as a grazing ball tears flesh; and leaving its withered path distinct on the green hill side, as if the mountain had been branded with red-hot iron. They generally keep to the same paths; but, when the snow accumulates, and sends down one the wrong way, it has been known to cut down a pine forest, as a scythe mows grass. The tale of its work is well told by the seared and branded marks on the hill summits and sides.