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THE POETRY OF ARCHITECTURE.

is improperly styled a villa, being pretty well known to have been nothing but stables.

The buttress is the only remaining point worthy of notice. It prevails to a considerable extent among the villas of the south, being always broad and tall, and occasionally so frequent as to give the building, viewed laterally, a pyramidal and cumbrous effect. a The most usual form is that of a simple sloped mass, terminating in the wall, without the slightest finishing, and rising at an angle of about 84°. Sometimes it is perpendicular, sloped at the top into the wall; but it never has steps of increasing projection as it goes down. By observing the occurrence of these buttresses, an architect, who knew nothing of geology, might accurately determine the points of most energetic volcanic action in Italy; for their use is to project the building from the injuries of earthquakes, the Italian having far too much good taste to use them, except in cases of extreme necessity. Thus, they are never found in North Italy, even in the fortresses. They begin to occur among the Apennines, south of Florence; they become more and more frequent and massy towards Home; in the neighbourhood of Naples they are huge and multitudinous, even the walls themselves being sometimes sloped; and the same state of things continues as we go south, on the coasts of Calabria and Sicily. Now, these buttresses present one of the most extraordinary and striking instances of the beauty of adaptation of style to locality and peculiarity of circumstance, that can be met