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THE POETRY OF ARCHITECTURE.
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of hill scenery will, by repetition, become tiresome, and of wood scenery, monotonous; while the simple blue can possess little interest of any kind. Powerful intellect will generally take perpetual delight in hill residence; but the general mind soon feels itself oppressed with a peculiar melancholy and weariness, which it is ashamed to own; and we hear our romantic gentleman begin to call out about the want of society, while, if the animals were fit to live where they have forced themselves, they would never want more society than that of a grey stone, or of a clear pool of gushing water. On the other hand, there are few minds so degraded as not to feel greater pleasure in the picturesque blue than in any other country. Its distance has generally grandeur enough to meet their moods of aspiration; its near aspect is of a more human interest than that of hill country, and harmonises more truly with the domestic feelings which are common to all mankind; so that, on the whole, it will be found to maintain its freshness of beauty to the habituated eye, in a greater degree than any other scenery.

As it thus persuades us to inhabit it, it becomes a point of honour not to make the attractiveness of its beauty its destruction; especially as, being the natural dominion of the villa, it affords great opportunity for the architect to exhibit variety of design.

Its spirit has been proved to be Greek; and therefore, though that spirit is slightly manifested in Britain, and though every good architect is shy of importation, villas