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THE POETRY OF ARCHITECTURE.

the pride of memory is unfit for villa residence); and, therefore, all conspicuous appearance of its more wealthy inhabitants becomes ostentation, not dignity; impudence, not condescension. Their dwellings ought to be just evident, and no more, as forming part of the gentle animation, and present prosperity, which is the beauty of cultivated ground. And this partial concealment may be effected without any sacrifice of the prospect which the proprietor will insist upon commanding from his windows, and with great accession to his permanent enjoyment. For, first, the only prospect which is really desirable or delightful, is that from the window of the breakfast-room. This is rather a bold position, but it will appear evident


    English have no imagination, they should not scorn to be commonplace; or, rather, they should remember that poverty cannot be disguised by beggarly borrowing, though it may be ennobled by calm independence. Our national architecture never will improve until our population are generally convinced that in this art, as in all others, they cannot seem what they cannot be. The scarlet coat or the turned-down collar, which the obsequious portrait-painter puts on the shoulders and off the necks of his savage or insane customers, never can make the 'prentice look military, or the idiot poetical; and the architectural appurtenances of Norman embrasure or Veronaic balcony must be equally ineffective, until they can turn shopkeepers into barons, and schoolgirls into Juliets. Let the national mind be elevated in its character, and it will naturally become pure in its conceptions; let it be simple in its desires, and it will be beautiful in its ideas; let it be modest in feeling, and it will not be insolent in stone. For architect and for employer, there can be but one rule; to be natural in all that they do, and to look for the beauty of the material creation as they would for that of the human form, not in the chanceful and changing disposition of artificial decoration, but in the manifestation of the pure and animating spirit which keeps it from the coldness of the grave.