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no perceptible nationality: they have no language, except a mixture of Italian and bad German; they have no peculiar turn of mind; they might be taken as easily for Germans as for Swiss. No correspondence, consequently, can exist between national architecture and national character, where the latter is not distinguishable. Generally speaking, then, the Swiss cottage cannot be said to be built in good taste; but it is occasionally picturesque, frequently pleasing, and under a favourable concurrence of circumstances, beautiful. It is not, however, a thing to be imitated: it is always, when out of its own country, incongruous; it never harmonises with anything around it, and can therefore be employed only in mimicry of what does not exist, not in improvement of what does. I mean, that any one who has on his estate a dingle shaded with larches or pines, with a rapid stream, may manufacture a bit of Switzerland as a toy; but such imitations are always contemptible, and he cannot use the Swiss cottage in any other way. A modified form of it, however, as will be hereafter shown, may be employed with advantage. I hope, in my next paper, to derive more satisfaction from the contemplation of the mountain cottage of Westmoreland, than I have been able to obtain from that of the Swiss.

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