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52
THE POETRY OF ARCHITECTURE.

and shaded by reverend trees, among whose trunks the grey cottages looked out, with a perfection of effect which I never remember to have seen equalled, though I believe that, in many of the mountain districts of Britain, the peasant's domicile is erected with equal good taste. I have always rejoiced in the thought, that our native highland scenery, though, perhaps, wanting in sublimity, is distinguished by a delicate finish in its details, and by a unanimity and propriety of feeling in the works of its inhabitants, which are elsewhere looked for in vain; and the reason of this is evident. The mind of the inhabitant of the continent, in general, is capable of deeper and finer sensations than that of the islander. It is higher in its aspirations, purer in its passions, wilder in its dreams, and fiercer in its anger; but it is wanting in gentleness, and in its simplicity; naturally desirous of excitement, and incapable of experiencing, in equal degree, the calmer flow of human felicity, the stillness of domestic peace, and the pleasures of the humble hearth, consisting in every-day duties performed, and every-day mercies received; consequently, in the higher walks of architecture, where the mind is to be impressed or elevated, we never have equalled, and we never shall equal, them. It will be seen hereafter, when we leave the lowly valley for the torn ravine, and the grassy knoll for the ribbed precipice, that, if the continental architects cannot adorn the pasture with the humble roof, they can crest the crag, with eternal battlements; if they cannot minister to a landscape's peace,