THE VILLA.
The Mountain Villa.—Lago di Como.
In all arts or sciences, before we can determine what is just or beautiful in a group, we must ascertain what is desirable in the parts which compose it, separately considered; and therefore it will be most advantageous in the present case to keep out of the village and the city, until we have searched hill and dale for examples of isolated buildings. This mode of considering the subject is also agreeable to the feelings, as the transition from the higher orders of solitary edifices, to groups of associated edifices, is not too sudden or startling, as that from nature's most humble peace, to man's most turbulent pride.
We have contemplated the rural dwelling of the peasant; let us next consider the ruralised domicile of the gentleman: and here, as before, we shall first determine what is theoretically beautiful, and then observe how far our expectations are fulfilled in individual buildings. But a few preliminary observations are necessary.
Man, the peasant, is a being of more marked national character, than man, the educated and refined. For nationality is founded, in a great degree, on prejudices and feelings inculcated and aroused in youth, which grow inveterate in the mind as long as its views are confined to
