New York a successful member of the choregraphic circle; her sister Edith was, as every one said, so very much more popular. Edith was so striking an example of success that Isabel could have no illusions as to what constituted this advantage, or as to the moderate character of her own triumphs. Nineteen persons out of twenty (including the younger sister herself) pronounced Edith infinitely the prettier of the two; but the twentieth, besides reversing this judgment, had the entertainment of thinking all the others a parcel of fools. Isabel had in the depths of her nature an even more unquenchable desire to please than Edith; but the depths of this young lady's nature were a very out-of-the-way place, between which and the surface communication was interrupted by a dozen capricious forces. She saw the young men who came in large numbers to see her sister; but as a general thing they were afraid of her; they had a belief that some special preparation was required for talking with her. Her reputation of reading a great deal hung about her like the cloudy envelope of a goddess in an epic; it was supposed to engender difficult questions, and to keep the conversation at a low temperature. The poor girl liked to be thought clever, but she hated to be thought bookish; she used to read in secret, and, though her memory was excellent, to abstain from quotation. She had a great desire for knowledge, but she really preferred almost any source of information to the printed page; she had an immense curiosity about life, and was constantly staring and wondering. She carried within herself a great fund of life, and her deepest enjoyment was to feel the continuity between the movements of her own heart and the agitations of the world. For this reason she was fond of seeing great crowds and large stretches of country, of reading about revolutions and wars, of looking at historical pictures—a class of efforts to which
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THE PORTRAIT OF A LADY.
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