carrying gifts and emblems. The actors, massed upon the steps, waved triumphant hands, trumpets sounded, and the song of the International from ten thousand throats rose like a mighty wave engulfing the whole.
Though the end of this drama may have erred on the side of the grandiose, this may perhaps be forgiven the organizers in view of the occasion for which they prepared it. Nothing, however, could detract from the beauty and dramatic power of the opening and of many of the scenes. Moreover, the effects obtained by movement in the mass were almost intoxicating. The first entrance of the masses gave a sense of dumb and patient force that was moving in the extreme, and the frenzied delight of the dancing crowd at the victory of the French _communards_ stirred one to ecstasy. The pageant lasted for five hours or more, and was as exhausting emotionally as the Passion Play is said to be. I had the vision of a great period of Communist art, more especially of such open-air spectacles, which should have the grandeur and scope and eternal meaning of the plays of ancient Greece, the mediæval mysteries, or the Shakespearean theatre. In building, writing, acting, even in painting, work would be done, as it once was, by groups, not by one hand or mind, and evolution would proceed slowly until once again the individual emerged from the mass.
