Tom Outland's Story
were carefully fitted (the doors were stone slabs held
in place by wooden bars fitted into hasps). The
clay dressing that covered the stone walls was tinted,
and some of the chambers were frescoed in geometrical patterns, one colour laid on another. In one room was a painted border, little tents, like Indian
tepees, in brilliant red.
But the really splendid thing about our city, the thing that made it delightful to work there, and must have made it delightful to live there, was the setting. The town hung like a bird’s nest in the cliff, looking off into the box canyon below, and be¬ yond into the wide valley we called Cow Canyon, facing an ocean of clear air. A people who had the hardihood to build there, and who lived day after day looking down upon such grandeur, who came and went by those hazardous trails, must have been, as we often told each other, a fine people. But what had become of them? What catastrophe had overwhelmed them?
They hadn’t moved away, for they had taken none of their belongings, not even their clothes. Oh, yes, we found clothes; yucca moccasins, and what seemed like cotton cloth, woven in black and white. Never any wool, but sheepskins tanned with the fleece on them. They may have been mountain sheep; the mesa was full of them. We talked of shooting one for meat, but we never did. When a mountain sheep comes out on a ledge hun-
—213—
