The Protestant Ethic and the Spirit of Capitalism
sports, or the enjoyment of the dance-hall or the public-house of the common man.[62]
Its attitude was thus suspicious and often hostile to the aspects of culture without any immediate religious value. It is not, however, true that the ideals of Puritanism implied a solemn, narrow-minded contempt of culture. Quite the contrary is the case at least for science, with the exception of the hatred of Scholasticism. Moreover, the great men of the Puritan movement were thoroughly steeped in the culture of the Renaissance. The sermons of the Presbyterian divines abound with classical allusions,[63] and even the Radicals, although they objected to it, were not ashamed to display that kind of learning in theological polemics. Perhaps no country was ever so full of graduates as New England in the first generation of its existence. The satire of their opponents, such as, for instance, Butler's Hudibras, also attacks primarily the pedantry and highly trained dialectics of the Puritans. This is partially due to the religious valuation of knowledge which followed from their attitude to the Catholic fides implicita.
But the situation is quite different when one looks at non-scientific literature,[64] and especially the fine arts. Here asceticism descended like a frost on the life of "Merrie old England." And not only worldly merriment felt its effect. The Puritan's ferocious hatred of everything which smacked of superstition, of all survivals of magical or sacramental salvation, applied to the Christmas festivities and the May Pole[65] and all spontaneous religious art. That there was room in Holland for a great, often uncouthly realistic art[66] proves only how far from completely the authoritarian
