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COMMUNION WITH THE UNSEEN WORLD.
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lying on the ground and made of granite limestone or alabaster, was a table for the offerings. The serdab, or corridor, was only accessible through a small aperture, through which the smoke of incense might be conveyed from the chamber to the statues which the solid walls concealed from sight. The representations upon the walls of the chamber reproduce the entire domestic and social life of the period. It is from these pictures that Sir Gardner Wilkinson has drawn up his admirable work on the Manners and Customs of the Ancient Egyptians, and described the Egyptian house, with its furniture, its gardens, its farm-yards, its vineyards—the occupations of its owner and the amusements of his guests—the games within and out of doors, the hunting and fishing, the agricultural operations, the numerous arts, manufactures and trades—all of which are represented to the life. Short inscriptions accompany the pictures; the names of men, animals and other objects are written over them; descriptive titles are constantly given, such as "ploughing," "mowing," "the slaughter of a young bull;" sometimes scraps of dialogue occur, generally of a very trivial character. "Hold hard," a master says to his servant; and the lad replies, art heset-ek, "Thy will be done." One man says, "This donkey is wild;" and another replies, "I will tame him." A peasant is engaged in combing flax, and he says to another who brings him a fresh supply of stalks, "If you bring me